Sometime in the late Renaissance, painters began to depict the patron saint of troubled vision offering her disembodied eyes to the viewer.  In the most striking of these paintings, her eyes grow on a stalk like flowers or fruits waiting to be harvested. This installation connects that vision to a not-so-far future, when disembodied transplant organs will also be grown, harvested, and offered to new kinds of patrons.  The imagery is rendered in morphing images via lumography, a medium developed by the artist.  Clear lenses with undulating optical surfaces rearrange light rays into pictures, the same way that moving water makes patterns of sunlight at the bottom of a fountain.
Matt Brand is an artist and scientist on extended exile from New York in Cambridge, Massachusetts.  His studio, Zintaglio Arts, specializes in coaxing new and unexpected visual experiences from humble materials.  Another studio invention — specular holography — can be seen in a permanent installation at the Museum of Mathematics, NY.